Defining Style (a hopeless endeavor)
by , 04-13-2011 at 11:16 PM (1584 Views)
I'm on vacation in South Carolina now, but vacation gives me a chance to decompress a bit and do things I love, which not only includes wandering around aimlessly in the warm Carolina sunshine, but also includes blogging.
Here now, a little later than promised, is a look at the current state of my model.
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I think this represents a lot of work since you last saw it. One of the main design elements, something that I could see in my head but couldn't get to paper, is that sloping outer fender. I think the nose becomes very interesting when you have the intersection of all these curves and I think clay is the only way to render them correctly. I think I've said it before here, but looking at this thing in the flesh really tells me where and how the clay should go. There's a little corner of clay (a perfect place for a side-view mirror) that only exists because the clay told me it wanted to be built up there. I'm damned if I know how that's going to fold in with the windshield and roof, but I'll figure it out.
The side profile needs work, especially the engine cover area. These photos are terrible, but the way the side scoop is rendered in clay really comes alive as the light hits it from different angles. What you have going on there is that the scoop is 1/2" deep at the bottom, from front to back. But up top it starts out 0" deep up front and builds to 1/2" deep at the back. (we're talking about 4" in real life here). I haven't gotten the curve perfect yet, but it's good enough to see that it would be dramatic and interesting in real life. Other than the scoop though (functional scoop for brake cooling, maybe I'll ask it to be intercooler too), the profile needs work. I thought "flat" would be an interesting counterpoint on the side, but it has ended up just looking, flat.
The tail is the subject of today's pontification. I was carving away, struggling to get the right curve to go around the frustratingly long transmission, when I was hit with the inspiration to take all the clay away, exposing the suspension arms to the car behind you. Exposing the side of the gearbox and the exhaust pipes in all their serpentine glory. Something akin to some of the Porsche 917 variants.
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But then I remembered cries from the forum that said "If this looks like a beach buggy, I won't buy it". Beach buggies do typically have the motor hanging out in back, chromed to the teeth, and sitting in an exposed frame of some kind. I don't find that image too appealing either, but after further vacation-time reflection, I came up with a hypothesis (please feel free to comment, I've been hearing crickets after these last couple of posts).
Style is a departure from the status quo. Eventually, successful styles become the status quo, at which point they are no longer perceived as style. I can in no way claim this is an original idea, but applicability of this art-world concept to the design competition hit me today.
Let's look at car headlamps as status quo and avantgarde. I'm too young to remember but at some point in the US, the only DOT-approved headlights were round. When the rules changed and square lights became legal, they started popping up (sometimes literally) on new cars. Because they were pioneering the idea of square lights, these cars were seen as stylish, edgy, cool. As soon as my parents Volvo station wagon got square headlamps, they became passe and the new hotness became aerodynamic plastic headlamps.
So what does this have to do with the design competition? It goes back to my earlier fears regarding posting pictures of my model's progress on the blog: too many cooks spoil the broth. If someone objects to a particular design element, you have to look at why you chose to include that element. Was it a statement of purpose, a direct and intentional departure from the status quo, or an accidental inclusion that might merit removal? I've chosen a very specific flare that builds and fades as it run over the wheels. That is not going anywhere. It is an intentional departure from the typical treatment of the wheel arches. Some people aren't going to like it and I am massively OK with that. But I think it is distinctive, which I think is one of the key elements to this design contest. The Toyota Camry appeals to the average appliance-car buyer because it does not offend - it offends the average enthusiast because it has all the character of a wet noodle.
That said, I think you're going to be seeing some exposed suspension bits on my design. Not 917-level, but I hope Jim chooses pretty shock absorbers.





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